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The Tragedy of Othello, the Moor of Venice (New Folger Library Shakespeare), by William Shakespeare
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The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximately 1603, and based on the Italian short story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. The work revolves around four central characters: Othello, a Moorish general in the Venetian army; his new wife, Desdemona; his lieutenant, Cassio; and his trusted ensign, Iago. Because of its varied and current themes of racism, love, jealousy and betrayal, Othello is still often performed in professional and community theatres alike and has been the basis for numerous operatic, film and literary adaptations. The play opens with Roderigo, a rich and dissolute gentleman, complaining to Iago, an ensign, that Iago has not told him about the secret marriage between Desdemona, the daughter of a Senator named Brabantio, and Othello, a Moorish general in the Venetian army. He is upset by this development because he loves Desdemona and had previously asked her father for her hand in marriage. Iago hates Othello for promoting a younger man named Michael Cassio above him, and tells Roderigo that he plans to use Othello for his own advantage. Iago is also angry because he believes, or at least gives the pretence of belief, that Othello slept with his wife Emilia. Iago denounces Cassio as a scholarly tactician with no real battle experience; in contrast, Iago is a battle-tested soldier. By emphasizing Roderigo's failed bid for Desdemona, and his own dissatisfaction with serving under Othello, Iago convinces Roderigo to wake Brabantio, Desdemona's father, and tell him about his daughter's elopement. Iago sneaks away to find Othello and warns him that Brabantio is coming for him. Before Brabantio reaches Othello, news arrives in Venice that the Turks are going to attack Cyprus; therefore Othello is summoned to advise the senators. Brabantio arrives and accuses Othello of seducing Desdemona by witchcraft, but Othello defends himself successfully before an assembly that includes the Duke of Venice, Brabantio's kinsmen Lodovico and Gratiano, and various senators. He explains that Desdemona became enamored of him for the sad and compelling stories he told of his life before Venice, not because of any witchcraft. The senate is satisfied, but Brabantio leaves saying that Desdemona will betray Othello. By order of the Duke, Othello leaves Venice to command the Venetian armies against invading Turks on the island of Cyprus, accompanied by his new wife, his new lieutenant Cassio, his ensign Iago, and Iago's wife, Emilia as Desdemona's attendant.
- Sales Rank: #7462263 in Books
- Brand: Brand: Tandem Library
- Published on: 1993-07
- Original language: English
- Number of items: 1
- Dimensions: 1.21" h x 4.50" w x 7.04" l,
- Binding: Library Binding
- Used Book in Good Condition
Review
This is an edition of Othello whose conversational introduction and unobtrusive but thorough notes will make the first-time visitor to the text an expert on the play. By keeping her own focus on the issue of performance – including her nuanced descriptions of the major films – editor Gretchen Schulz not only helps readers see Othello in the theatre of the imagination, she helps them to direct it as well.
- Ralph Alan Cohen, American Shakespeare Center, Co-founder and Director of Mission; Gonder Professor of Shakespeare, Mary Baldwin College
Even as the New Kittredge Shakespeare series glances back to George Lyman Kittredge's student editions of the plays, it is very much of our current moment: the slim editions are targeted largely at high school and first-year college students who are more versed in visual than in print culture. Not only are the texts of the plays accompanied by photographs or stills from various stage and cinema performances: the editorial contributions are performance-oriented, offering surveys of contemporary film interpretations, essays on the plays as performance pieces, and an annotated filmography. Traditional editorial issues (competing versions of the text, cruxes, editorial emendation history) are for the most part excluded; the editions focus instead on clarifying the text with an eye to performing it. There is no disputing the pedagogic usefulness of the New Kittredge Shakespeare's performance-oriented approach. At times, however, it can run the risk of treating textual issues as impediments, rather than partners, to issues of performance. This is particularly the case with a textually vexed play such as Pericles: Prince of Tyre. In the introduction to the latter, Jeffrey Kahan notes the frequent unintelligibility of the play as originally published: "the chances of a reconstructed text matching what Shakespeare actually wrote are about 'nil'" (p. xiii) But his solution — to use a "traditional text" rather than one corrected as are the Oxford and Norton Pericles — obscures how this "traditional text," including its act and scene division, is itself a palimpsest produced through three centuries of editorial intervention. Nevertheless, the series does a service to its target audience with its emphasis on performance and dramaturgy. Kahan's own essay about his experiences as dramaturge for a college production of Pericles is very good indeed, particularly on the play's inability to purge the trace of incestuous desire that Pericles first encounters in Antioch. Other plays' cinematic histories: Annalisa Castaldo's edition of Henry V contrasts Laurence Oliver's and Branagh's film productions; Samuel Crowl's and James Wells's edition of (respectively) I and 2 Henry IV concentrate on Welle's Chimes at Midnight and Gus Van Sant's My Own Private Idaho; Patricia Lennox's edition of As You Like It offers an overview of four Hollywood and British film adaptations; and John R. Ford's edition of A Midsummer Night's Dream provides a spirited survey of the play's rich film history.
The differences between, and comparative merits of, various editorial series are suggested by the three editions of The Taming of the Shrew published this year. Laury Magnus's New Kittredge Shakespeare edition is, like the other New Kittredge volumes, a workable text for high school and first year college students interested in film and theater. The introduction elaborates on one theme — Elizabethan constructions of gender — and offers a very broad performance history, focusing on Sam Taylor's and Zeffirelli's film versions as well as adaptations such as Kiss Me Kate and Ten Things I Hate About You (accompanied by a still of ten hearthtrobs Heath Ledger and Julia Stiles). The volume is determined to eradicate any confusion that a first time reader of the play might experience: the dramatis personae page explains that "Bianca Minola" is "younger daughter to Baptista, wooed by Lucentio-in-disguise (as Cambio) and then wife to him, also wooed by the elderly Gremio and Hortensio-in-disguise (as Licio)" (p.1). Other editorial notes, based on Kittredge's own, are confined mostly to explaining individual words and phrases: additional footnotes discuss interpretive choices made by film and stage productions. Throughout, the editorial emphasis is on the play less as text than as performance piece, culminating in fifteen largely performance-oriented "study questions" on topics such as disguise, misogyny, and violence.
Studies in English Literature, Tudor and Stuart Drama, Volume 51, Spring 2011, Number 2, pages 497-499. From the Back Cover
Appropriate for all level of Shakespeare courses, including courses on Shakespeare, or drama, or Renaissance drama as taught in departments of English, courses in Shakespeare or drama taught in departments of theater, Great Books programs where individual volumes might be used, or high school level courses.
About the Author
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare s only son, died in childhood. The bulk of Shakespeare s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.
Most helpful customer reviews
43 of 45 people found the following review helpful.
Great play, great electronic version
By Nick
Othello was one of the first plays I was exposed to when I was younger. It has murder, suicide, intrigue and things that would get a teenager into Shakespeare.
I've had mixed success with some of the free Kindle versions of Shakespeare. Some have been good, some have been awful. This is an exceptional version. It's formatted nicely and is easy to read. The only "lack" is that it is without line numbers, so if you were to use this for academic reasons, you might have an issue or two.
Thus far, Othello's my favorite free Shakespeare play. I missed how much of a jerk Iago was, and all the deception that lead to Othello killing Desdemona.
If you've got a Kindle and want to read Shakespeare, then download this version.
32 of 33 people found the following review helpful.
Shakespeare's best Villain
By R. J. Marsella
Is there any other character in all of literature who is as calculatingly evil as Shakespeare's Iago? His jealousy over being passed over in favor of Cassio engenders a revengeful scheme that turns jealousy into a weapon used to destroy the noble Othello. Here innocence and trust is contrasted with pure manipulation and evil in what is one of Shakespeare's most revealing tragedies. The characters act exactly as they would be expected to based on the overriding quality that they represent. Othello is wonderful Shakespearean drama that ranks among his greatest works.
The Folger Library editions are my favorite. Each page has a facing page that explains obscure terms and helps as a handy reference to make reading the plays pleasurable and educational. These paperback editions of Shakespeare's works are a great value and fit in your pocket.
24 of 25 people found the following review helpful.
It's Shakespeare
By J. Chad Davis
Really, if you enjoy Shakespeare's plays, then you'll enjoy Othello. The actual read-ability of this digital version is excellent, so I'd recommend it above other digital versions.
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