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The Yugo: The Rise and Fall of the Worst Car in History, by Jason Vuic

The Yugo: The Rise and Fall of the Worst Car in History, by Jason Vuic



The Yugo: The Rise and Fall of the Worst Car in History, by Jason Vuic

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The Yugo: The Rise and Fall of the Worst Car in History, by Jason Vuic

Six months after its American introduction in 1985, the Yugo was a punch line; within a year, it was a staple of late-night comedy. By 2000, NPR’s Car Talk declared it “the worst car of the millennium.” And for most Americans that’s where the story begins and ends. Hardly. The short, unhappy life of the car, the men who built it, the men who imported it, and the decade that embraced and discarded it is rollicking and astounding, and one of the greatest untold business-cum-morality tales of the 1980s. Mix one rabid entrepreneur, several thousand “good” communists, a willing U.S. State Department, the shortsighted Detroit auto industry, and improvident bankers, shake vigorously, and you’ve got The Yugo: The Rise and Fall of the Worst Car in History. Brilliantly re-creating the amazing confluence of events that produced the Yugo, Yugoslav expert Jason Vuic uproariously tells the story of the car that became an international joke: The American CEO who happens upon a Yugo right when his company needs to find a new import or go under. A State Department eager to aid Yugoslavia’s nonaligned communist government. Zastava Automobiles, which overhauls its factory to produce an American-ready Yugo in six months. And a hole left by Detroit in the cheap subcompact market that creates a race to the bottom that leaves the Yugo . . . at the bottom.

  • Sales Rank: #901276 in Books
  • Published on: 2010-03-02
  • Released on: 2010-03-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .95" w x 6.40" l, 1.10 pounds
  • Binding: Hardcover
  • 272 pages

Review
“[A] rollicking chronicle of the rise and fall of the homely little hatchback that couldn’t . . . [Jason Vuic] weaves a tale about crazy socialist factories, just-as-crazy Western financial practices, geopolitics in the days of the Cold War and an American public yearning for affordable cars—all combined with the ‘cutting edge Serbo-Croatian technology,’ as the Yugo was referred to in the spoof movie version of ‘Dragnet’ . . . Mr. Vuic is as hard on the Western capitalism that fleetingly embraced the car as he is on the socialist system that produced it.” —Dick Teresi, Wall Street Journal “Vuic’s book is thoroughly researched, with hundreds of annotations. Its true genius, however, is its fine focus not on the Yugo itself, but on Bricklin the man—an outsized opportunist, a thick-skinned mega-capitalist whose modus operandi was to overpromise and underdeliver, a Mr. Magoo oblivious to the wreckage all around him, a charming marketing manipulator who realizes he has crossed the line only when the subpoenas start flying. In short, a fascinating story well told.” —John Phillips, Car and Driver “Now, Jason Vuic has written an entire book about this wheezing shitbox. Entitled The Yugo: The Rise and Fall of the Worst Car in History, the book is an in-depth, brisk, and hilarious chronicle of the economic, mechanical, political, and cultural calamities that conspired to unleash this motorized monster on the American populace.” —Brett Berk, Vanity Fair Daily “A wonderfully sunny—and thoroughly researched—study of this iconic failure.” —Stephen Lowman, Washington Post “In his entertaining drive through the 1980s, Mr. Vuic uses the fatally well-publicized Yugo as the hook for a funny, tightly written book traversing politics, economics, marketing, communications, consumer safety (and dread)—and lots of spin.” —Carlo Wolff, Pittsburgh Post-Gazette “Jason Vuic, a professor of modern European history, could have easily written a straightforward takedown of the most maligned automobile since the Ford Pinto. Instead, he uses the Yugo as a vehicle for an insightful and witty look at car culture, a half-century of Balkan history, and the last decade of the Cold War.” —Sonja Sharp, Mother Jones “As historian Jason Vuic chronicles in his captivating, unexpected new book, for a fleeting moment amid the clichéd go-go excesses of the 1980s, the $3,995 Yugo—loosely based on a Fiat and produced by a one-time arms manufacturer called Zastava—captured the wallets, if not exactly the hearts, of Americans and introduced some oddball charm and entrepreneurial zest into the staid confines of the U.S. auto market. Vuic's history is a fascinating read, and an instructive one for the present moment.” —Tom Vanderbilt, Slate “Jason Vuic provides a thoroughly researched and illuminating account of what turned into a spectacular disaster.” —The Economist “A meticulous wide-ranging postmortem of a car that, at $3,990 brand new, was still overpriced.” —Kevin Canfield, Star Tribune (Minneapolis-St. Paul) “Entertaining and comprehensive.” —Cary Darling, Star-Telegram (Dallas-Fort Worth) “In a world where even our most reliable cars can turn out to be lemons (cough, Toyota), it’s really something to be the world’s worst car. That distinction belongs to the Yugo, subject of the enormously entertaining The Yugo . . . Read it if you love cars, or just want to experience the strange story of someone determined to give lemons life.” —Very Short List “If the Yugo was a lemon, Jason Vuic’s surprising page-turner is the lemonade: even though we know how it’s going to end (watch out for the iceberg, Yugo!), we’re held rapt by Vuic’s careful reconstruction of the peculiar history of a terrible idea.” —Flavorwire “Creating the Yugo required dozens of corporations, thousands of Yugoslavians, international diplomacy, a Cold War, marketing genius, consumer idiocy, and major screw-ups from not just one political ideology but all of them. Any knucklehead with a lawnmower engine and a monkey wrench can build a bad car. It took Communism, Socialism and Capitalism to build a Yugo. And Jason Vuic has the story.” —PJ O’Rourke “A crosscultural tale of the little car that couldn't. Thoroughly researched, tellingly told—and hilarious!” —Phil Patton, author of Bug: The Strange Mutations of the World’s Most Famous Automobile “Testimony to the dishonesty, gullibility, greed, cynicism, stupidity and incompetence of virtually everyone involved in attempting to palm off a ramshackle Balkan-made leftover on the hapless American car buyer who turned out not to be so hapless after all.  The saga of the Yugo proves that failure may not be as instructive as success, but its lots more entertaining.” —Bruce McCall, author of Marveltown “Was the Yugo the worst car in history? No, although it wasn’t far behind such automotive insults as the Trabant. Is this the most enjoyable car book of the year? Yes! Few car books can match Jason Vuic’s supporting cast of earnest automotive executives, politicians and out-and-out hucksters. Chapter after chapter is filled with such outrageous actions in the name of selling cars that you have to keep repeating this mantra: ‘It’s not libel if it’s true.’ ” —James B. Treece, Industry Editor, Automotive News “A hoot for car enthusiasts and a case study for business schools.” —Kirkus Reviews “Here's all you ever wanted to know about the Yugo—and more! . . . Well researched, quite readable, and leavened with bits of humor.” —Susan Hurst, Library Journal 

About the Author
Jason Vuic is an assistant professor of modern European history at Bridgewater College in Bridgewater, Virginia. He lives in Staunton, Virginia, with his wife, Kara.

Excerpt. © Reprinted by permission. All rights reserved.

1

Yugo Girls!

Q: How do you double the value of your Yugo?

A: Fill the gas tank.

The original idea to sell the Yugo in America came from California entrepreneur Miroslav Kefurt, who in March 1984 imported three Yugo 45s for display at the Los Angeles AutoExpo. Slight of build yet long in personality, Kefurt was a character. He had come to Los Angeles in 1969 from Prague, Czechoslovakia, where he and his father sold used cars. The Kefurts specialized in one model, the Fiat 600, which they sold in one color: red. "It wasn’t that Czech car buyers were demanding red Fiat 600s," remembers Kefurt, "it was because private car dealing was illegal." Technically, Czech citizens could sell their cars only after their odometers had reached 5,000 kilometers. But buying and selling used cars in quantity, as a business, was against the law. Thus, there were no used car lots in communist Czechoslovakia. Buyers simply found their cars through word of mouth or ordered new cars directly from Czechoslovakia’s two main auto producers, Skoda and Tatra.

However, like all Soviet bloc countries, Czechoslovakia had government waiting lists for new cars. To buy a Tatra 613, for instance, car buyers paid full price in advance, then waited six months to a year for delivery. The buyer had no say over the car’s color or interior, and received no warranty of any kind. "That was one of the flaws of a communist country," states Kefurt. "Somebody in the government would make a decision of how much of anything could be exported, imported, manufactured, or sold . . . It was the same thing with cars. The government didn’t make enough new cars, so a black market developed for used ones . . . But since it was illegal for people to deal in used cars as a business, my father had to be careful. That’s why he bought the same make and model [the Fiat 600] over and over, then drove the cars for five thousand kilometers before selling them at a profit. Nobody could tell these were all different cars. It was good business."

Kefurt’s father was a tour guide by profession, which meant he could acquire new Fiat 600s during business trips to northern Italy. He would buy a car, drive it back to Czechoslovakia, then bribe a guard at the border. "Bribes always worked in those days," remembers Kefurt. "You could bribe anyone for anything." His father bought three or four Fiats per year, and each family member had a Fiat registered to them. The goal was to put 5,000 kilometers on each car, a daunting task for the Kefurts, considering the poor roads and lack of interstates in Czechoslovakia. In 1967, for instance, the Central Intelligence Agency estimated that Czechoslovakia had 46,000 kilometers of roads, of which only 10,000 kilometers were paved. By contrast, the United States had over 3 million kilometers of roads, of which 1 million were paved. That was when Kefurt’s father had an idea. He and his son would race their Fiats in local road rallies to burn the 5,000 kilometers.

Kefurt began racing at age fourteen; at sixteen, he placed in one of Czechoslovakia’s main road rallies and was well on his way to becoming a professional driver. But in 1969 Kefurt decided to leave Czechoslovakia to live with an uncle in the United States. Through various family connections he secured an exit visa and began working at his uncle’s restaurant in West Hollywood, California. Kefurt arrived in the United States in 1969, the same year as Woodstock, the launching of Apollo 10, and the first troop withdrawals from Vietnam. As a student at Hollywood High he found most of his friends owned muscle cars: Pontiac Firebirds and Plymouth Barracudas. They were a far cry from Kefurt’s Fiat 600.

One day while walking along Santa Monica Boulevard, Kefurt passed a Honda motorcycle dealership, which had just displayed the company’s first-ever imported automobile in its showroom window, a tiny two-door sedan known as the 600. By almost any mea sure, the Honda 600 was a midget. At a length of 125 inches, the 600 was nearly three feet shorter than the Volkswagen Beetle. At 1,355 pounds, it also weighed 500 pounds less than the Beetle. In addition, the Honda 600 had a four-speed manual transmission, a unibody steel construction, and reached a top speed of 80 miles per hour. The price: $1,275. Kefurt was in love. "Compared to the Fiat 600," he states, "the Honda 600 was a rocket."

Like many small-car enthusiasts, Kefurt favored the 600’s handling to that of larger and more powerful muscle cars. He eventually bought other 600s and opened a business fixing the cars for Hollywood-area owners. Though Honda stopped selling the 600 in 1972, in the early 1980s Kefurt discovered that people were willing to spend thousands of dollars to restore their tiny 600s. The car had a real following, so much so that Kefurt developed a profitable Honda 600 business and was known locally as a small-car guru. He drove and tested not only Hondas but also any other small car he could find. In 1982 Kefurt read that socialist Yugoslavia was producing a new two-door hatchback based on the Fiat 127 and with a 903cc, 45-horsepower engine.

Known as the Yugo 45, the car was cheap (by American standards) and, in Kefurt’s words, "an import opportunity just waiting to happen." The Yugoslavs planned to export the car to Great Britain in mid-1983 but had no such plans for the United States. Therefore, in the summer of 1982 Kefurt hopped into his Honda 600 and drove to the Yugoslav consulate in San Francisco. At the time, socialist Yugoslavia had consulates in California, Illinois, New York, Ohio, and Pennsylvania, as well as a sprawling embassy complex in Washington, D.C. In San Francisco, Kefurt met with an official commercial attaché who assisted him in contacting the Yugoslav auto manufacturer Crvena Zastava, the maker of the Yugo 45. Located ninety minutes south of Belgrade in Kragujevac, Serbia, Crvena Zastava had been established in 1953 in a failing armaments plant in the city center.

The name Crvena Zastava means Red Flag in Serbo-Croatian, as in the red flag of communism. In later years the Yugo 45 would send up a different red flag among Western consumers. According to economic historian Michael Palairet, the car "was badly built, like all Zastava’s cars, and bottlenecks of every kind limited output." Although in 1962 Zastava teamed with Italian car manufacturer Fiat to build a new $30 million factory on the outskirts of Kragujevac, by the 1980s its facilities were outdated. According to one observer, "By US, Japanese and Western European standards, the Zastava works are a throwback to the Dark Ages—a Diego Rivera mural choreographed live. Noisy, smoky, and in many places poorly lit, the facilities teem with workers . . . OSHA [the U.S. Occupational Safety and Health Administration] would have a field day here." Zastava also lacked many of the production standards then common in the West, which was the direct result of being the only true car manufacturer in a protected market.

Kefurt had never been to Kragujevac. He also had no experience with Zastava’s low-quality motorcars. But he knew that the Yugo 45 was essentially a Fiat, a car sold in the United States in one form or another since 1957. Even though Fiat had announced that because of poor sales it was leaving the American market, Kefurt believed that he could "keep" Fiat in the United States by importing the Yugo. For that, however, he needed a license, so with the help of the Yugoslav commercial attaché in San Francisco, in 1982 Kefurt sent a telex to Yugoslavia’s state-run export company Genex. Short for General Export, Genex was socialist Yugoslavia’s main trading house, whose job it was to sell consumer goods and other commodities for over 1,200 domestic firms. In 1982, Genex did $4 billion in business. The company had offices in some seventy countries and in 1986 introduced McDonald’s to Yugoslavia.

Genex put Kefurt in touch with Zastava, but officials there were skeptical that consumers in the United States would buy Yugos. Remembers Kefurt, "They told me that Americans wanted V-8s, that Americans wanted air-conditioning and automatics and that Zastava just didn’t make them." Nevertheless, Kefurt was determined. He pestered Zastava until late 1983, when the company awarded him Yugo 45 distribution rights for the state of California. There were no contracts, no negotiations, and no paperwork. In fact, Kefurt’s Yugo license, if it could be called a license, was a one-page telex. It stated that beginning with the 1985 model year, Zastava would provide Kefurt with five thousand cars annually. The telex said nothing of price. What is more, Zastava offered no guarantees and demanded that Kefurt pay for each car up front.

License in hand, in November 1983 Kefurt ordered three Yugo 45s from Kragujevac. They cost a grand total of $7,200 and were shipped to Los Angeles in a forty-foot container that arrived in March 1984. Kefurt was beside himself. He’d spent less than ten grand and was now owner, president, and CEO of YugoCars, Inc., the official distributor of Yugo 45 automobiles from Yugoslavia. Kefurt knew it was a long shot, that most Americans wanted V-8s, and air-conditioning, and automatic transmissions. But timing was on his side. Just two months earlier Yugoslavia had hosted the XIV Winter Olympiad in Sarajevo and ABC had given the Games over sixty-three hours of television coverage. There were Sarajevo placemats at McDonald’s, Sarajevo postage stamps from the U.S. Postal Service, even a thermos and bowl set from Campbell’s, the "official soups" of the 1984 Winter Olympics.

Night after night, reporters praised Yugoslavia for its efficiency. The Yugoslavs have done "every thing capitalists say socialists can’t do," exclaimed one. Buses "run frequently and on time . . . Messages are delivered quickly . . . [and arriving American journalists are] whisked to their village, assigned porters, and shown to [their] rooms . . . Skeptics said [Yugoslavia] couldn’t handle a modern Games. Well, wherever Marshall Tito is these days . . . he must be smiling. What the Yugoslavs have pulled off is a tribute to the virtues of nonaligned socialism." The Sarajevo Games closed on February 19, 1984, and were described by Juan Antonio Samaranch, the International Olympic Committee president, as "the best organized Winter Games in the history of the Olympic Movement."

Next up: Los Angeles. As Kefurt waited for his first shipment of Yugos to arrive in California, Los Angeles readied itself for the 1984 Summer Games. The Games’ chief organizer, Peter Ueberroth, actually "wondered aloud whether Los Angeles would be able to muster the [same sort of] enthusiasm that Sarajevo had" in supporting its Olympics, then praised Yugoslavia for being one of only three communist countries then planning to attend. (The others were China and Romania.) Since early May, a group of fourteen communist countries led by the Soviet Union had been boycotting the Games because, as the Soviets claimed, the U.S. government had failed "to guarantee the safety of Soviet athletes" in Los Angeles or "squelch the activities of private anti-Soviet groups in California."

The Soviets alleged that CIA operatives were planning to give psychotropic drugs to Russian athletes in order to "trick" them into defecting, and had "infiltrated members of terrorist and extremist [groups]" into Ueberroth’s organizing committee. Ueberroth was livid. If the Soviet Union and its allies failed to make it to Los Angeles, over half of the world’s "world champions" would be absent. It’ll be a "second-rate competition," said one official, "really no competition at all. [It’ll be like a] Pan Am Games with Asians and Africans . . . I mean, what kind of Olympics [is] that?" To ABC, the Games would be a bore, a profit-killing, audience-shrinking bore, which is why, in its contract with Ueberroth, it had stipulated that if the Soviet Union chose to boycott the Olympics, Ueberroth’s organizing committee would refund the network upwards of $90 million in fees. Although Ueberroth and ABC settled on a much lower figure, as of May 1984, Los Angeles needed a boost, something to remind viewers that America’s first summer Olympics in over fifty years wouldn’t just be competitive, it’d be watchable—in industry terms, "good TV." As it stood, ABC planned over 180 hours of coverage through two full weeks, nearly thirteen hours a day. For months, it had been charging companies as much as $260,000 for a thirty-second spot and had already sold over $428 million in airtime. "If ratings turn out to be less than expected," wrote The Wall Street Journal, "advertisers may ask ABC for compensation in the form of credits," maybe even refunds. Thus, when China, Romania, and Yugoslavia defied the Soviet boycott and sent teams to the Olympics, they were quickly dubbed Los Angeles’s "great Red hopes."

The Yugoslavs called the boycott deplorable and, in mid-May 1984, announced they were sending their largest Olympic team ever: 223 athletes competing in 19 different sports. As one Yugoslav coach put it, "We didn’t discuss the boycott at all. [And] why should we? We are an in de pen dent country, and we do what we feel is right. We will not be told what to do by the Soviet Union, or anybody else." Yugoslavia had been independent of Moscow since 1948 when its leader, Josip Broz Tito, announced he was pulling the country out of the Soviet bloc. In the coming decades, Yugoslavia maintained good (if not close) relations with both superpowers, but refused to ally itself with either. By 1984 its foreign trade was almost equally distributed between East and West.31 Yugoslavs drank Coke, wore blue jeans, did business with American firms such as Dow Chemical and Westinghouse, and traded their farm produce for Soviet oil. They "liked to play both sides equally," said one former diplomat. "They could really straddle the fence."

Yugoslavia was neutral politically, and since it had already competed in the 1980 Moscow Olympics, which the Americans had boycotted, it saw no reason to boycott the 1984 Games. "Sports are meant to be liberated from all political influence," said Ahmed Karabegovic, a Yugoslav Olympic official from Bosnia. And besides, "where the Olympics are concerned, the most important element is business." The Yugoslavs had learned that lesson in Sarajevo, where they’d made, by some estimates, at least $20 million. They wouldn’t make anything in L.A. They were only participants. But the Yugoslavs hoped that their anti-boycott stance, so praised in the press, would be a good form of "company" PR. And in fact it was. At the Games’ opening ceremonies, the Yugoslav team entered the Los Angeles Coliseum to thunderous applause, second only to the Americans’.

Yugoslav officials no doubt hoped that Americans’ goodwill toward Yugoslavia would mean that they’d buy, for instance, Yugoslav wines (such as Avia, which Coke distributed) and Yugoslav tools, furniture, and textiles. Who knows? Maybe even cars. At least that’s what Kefurt hoped. But then his Yugos arrived. They were red, white, and blue. They had yellow French headlights, tartan interiors, and retread tires. They were three of the worst cars Kefurt had ever seen. "I almost cried," he says. "Before then I had only seen pictures and the pictures were nice but now we can’t start things. The doors don’t lock. The windows don’t go up and down. Then I find paperwork in one of the cars saying that these three were factory rejects. They were supposed to go to France, but there were so many problems with them, the French sent them back!" Kefurt and his mechanic spent the next three weeks making the cars presentable. To the red Yugo, Kefurt added a sunroof, mag alloy wheels, and a "super-duper" stereo system, which he claims cost more than the car. He also took the red Yugo to Olson Laboratories in nearby Fullerton, California, where it underwent a series of emissions tests required by the state’s Air Resources Board (CARB).

The CARB set strict emissions standards for all new automobiles sold in California, which the Yugo promptly failed. The car performed poorly on its tests because it continued to use an antiquated carburetor. Thus, to sell Yugos in the United States, Kefurt faced a choice: he could equip the car with a cleaner carburetor, or he could replace the Yugo’s carburetion system with electronic fuel injection. Either way, he needed help from Zastava. "The carburetion was bad," remembers Kefurt. "So it was my decision to have a fuel-injected car. The fuel injection designed by Bosch in those days was fantastic, but Zastava wasn’t interested. I realized then that these guys didn’t want a successful car."

Undeterred, Kefurt made plans for the Los Angeles AutoExpo. He printed up Yugo 45 brochures, signs, and promotional literature, then recruited his wife and four teenage models to wear tight Yugo 45 T-shirts and miniskirts and attend the Expo as his "Yugo Girls." The Expo took place in June 1984 in the Los Angeles Convention Center. Kefurt’s display included his red, white, and blue Yugos, a plain, unadorned table, and folding chairs for his Yugo Girls. For some reason the Expo’s organizers had given Kefurt a premium display space next to the main entrance and directly opposite Mercedes-Benz. As a result, thousands of people visited Kefurt’s Yugo exhibit, where his five Yugo Girls were a hit. By show’s end, they had distributed four hundred Yugo T-shirts and twenty thousand Yugo brochures, and had taken forty-two $100 deposits on back-ordered automobiles. To demonstrate the Yugo’s toughness, Kefurt spoke to potential buyers while standing on the car’s roof. When at one point he dented the roof, he jumped down, reached inside, and popped out the dent out with a loud Thwop! "Go try that at Mercedes-Benz," he said, "and see what they tell ya! Go stand on a Mercedes!"

Eventually Kefurt’s Yugo exhibit drew the attention of Paul Dean, a reporter for the Los Angeles Times. "When the Big Three and the European Eleven and the Oriental Six go to car shows," wrote Dean, "it’s a million-dollar bazaar of revolving neon and Simonized gloss beneath sequins . . . Then there’s the Yugo 45 and Miroslav Kefurt. His booth is five folding chairs around a rented table and no potted chrysanthemums because they cost extra. The models, female, are Kefurt’s secretary and her Sun Valley friends uniformed in company T-shirts and red miniskirts. And the models, vehicular, are sedans made in Yugoslavia from a decade-old body design around an engine that’s been in production for 27 years."

Dean’s depiction of the cars themselves was direct—some might say brutal. Likening them to Spam cans with orange tartan interiors only the color-blind could love, he offered the opinion that their bumpers "wouldn’t smother a collision with a bowling ball."

However, to Dean, the Yugo wasn’t all bad. Its low price and its Fiat-built engine were in his words "a pretty hefty combination," while the beauty of the Yugo, wrote Dean, was in its "plainness." The Yugo is "simple, utilitarian, [and] honest. It performs the way it looks, and that look tells [you] exactly what it was built to be . . . a commuter car." Quoting Kefurt, Dean then compared the Yugo to the Ford Model T, the Volkswagen Beetle, and the Citroën DV2, giving it high praise as an inexpensive people’s car, a reminder of when automobiles "were for transportation, not status," when "turbo-charging was for airplanes and racecars," and when "lifting the hood revealed an engine, not electronic plumbing."

Although most likely Dean had never driven a Yugo—and although he had no idea that one of Kefurt’s three floor models had broken down en route to the AutoExpo—he portrayed the Yugo as a dependable foreign car and allowed Kefurt to pontificate on the Yugo’s supposed virtues. "It comes with no surprises," stated Kefurt. "Everything fits, every thing works, and it’s designed to last 15 years." Moreover, the Yugo "comes with a 10-year or 100,000-mile warranty . . . If anything major goes wrong with the engine you bring the car in and we change the engine because to us that’s the cheapest way."

Of course, the Yugo had no warranty: Kefurt’s entire contract with Zastava was that one-page telex awarding him five thousand cars per year. Zastava expected cash in advance. The contract made no promises to Kefurt and offered no guarantees of any kind. Thus, like any good salesman, Kefurt was telling buyers what they wanted to hear: that the Yugo was a smart, economical car "for people tired of model changes and [tired of] planned obsolescence." And, at $4,500, the Yugo would be the least expensive new car sold in the United States. In 1984 the average compact car cost $9,113, with the cheapest car being the Chevrolet Sprint at $5,151. According to the Hertz Corporation, in 1984 the average cost to own and run a compact car in the United States had reached an all-time high, amounting to 45.67 cents per mile. That figure was 5.5 percent higher than in 1983, and 172 percent higher than in 1972. The bottom line, reported Hertz, was that even small cars were expensive and that during the past twelve years motorists had been "driving less, keeping cars longer, and buying smaller vehicles with fewer options."

Known as "econo-boxes," these vehicles were almost exclusively Japanese. In 1980, six Japanese companies exported over 1.8 million cars to the United States, a staggering 27 percent of the American market. On average, Japanese cars were cheaper, better built, and more fuel-efficient than their U.S. counterparts were. In 1980, for example, only one American-designed car, the Chevrolet Chevette, had a fuel efficiency rating of more than twenty-five miles per gallon. By contrast, eleven Japanese cars did, with eight Japanese cars averaging more than thirty miles per gallon. In addition, nearly 50 percent of Detroit engineers queried in 1979 believed that Japanese cars were the highest-quality cars sold in the United States. (In the same poll, American cars received just 27 percent, while German cars received 23 percent).

Interest in smaller, more efficient cars had been growing in the United States since the mid-1960s, but exploded with the twin world oil crises of 1973 and 1979. In both instances, the Organization of Petroleum Exporting Countries increased the price of crude oil, causing U.S. gasoline prices to jump from 39 cents per gallon in 1973 to $1.38 per gallon in 1979. Consumers reacted by buying cheap econo-box imports. In 1980, a record 2.3 million Americans purchased some $13 billion in foreign-made automobiles. That same year, import sales jumped 21 percent, while sales of domestic cars plummeted 11 percent, to their lowest level since 1961.

Excerpted from The Yugo by Jason Vuic.
Copyright © 2010 by Jason Vuic.
Published in 2010 by Hill and Wang.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

Most helpful customer reviews

15 of 16 people found the following review helpful.
Much better than the car
By T. Hutton
As a former Yugo owner I had to read this book. But it's more than a book about the Yugo. It's about American excess, why communism failed, a business case study, and a brief history of Yugoslavia. All in just 213 pages. The pacing is brisk. The writing is impeccably clear and easy to read. It is well researched both through printed sources and interviews the author himself conducted. This book will probably stand as the authoritative history of the Yugo in America. Why would anyone write another? Very well done Professer Vuic.

16 of 18 people found the following review helpful.
Fascinating history and witty storytelling
By Kathleen Roberts
I loved this book! Jason Vuic weaves a tale that is so fascinating (and often hilarious) that I couldn't put this book down. I found myself laughing out loud at Vuic's stories of the Serbian autoworkers' booze-swilling on the assembly line floor and the cars rolling out of the factory with the rust marks already in place. I kept turning to my husband and saying, "You just won't believe this!" Not only is it a darn good story, it's also well-researched history. The footnotes are almost as interesting as the text itself. If you're a car enthusiast, a Cold War history buff, or simply lived through the 80s, you'll love this book.
Kathy

3 of 3 people found the following review helpful.
Automotive History and Internatinal Politics All in One
By D_shrink
A very unique way to present an abbreviated history of the former Yugoslavia Federation and especially its Serbian state through its second largest industrial complex the the Zastava automobile complex that began producing the car known in America as the Yugo. The internal strife between the various Yugoslav states and the communist regimes way of doing things is well documented. But the majority of the book is devoted to the Malcolm Bricklin and associates who were the importers of the Yugo in America. He had also built a nasty piece of steel called the Bricklin, as he was a rather ego-maniacal personality. He had far too many other failed ventures to discuss in a short review, but needless to say most people have heard of the various companies from the Handyman Hardware stores of the 1960's to the Proton automobile manufactured in Malaysia by Mitsubishi. Mr. Brickln was rather a rogue and an idea man rather than a nuts and bolts type of entrepreneur. He lived large and fast flying his own helicopter and renting out the Tavern on the green for a dealers breakfast, but not checking the guest list, so that a bunch of freeloaders came in for the free grub. The book is written in a factual but still quite humorous manner. The book is listed at 262pp, but the actual reading material stops on page 213, with the rest being supporting notes. The nice thing about the author's writing is that he doesn't bother the reader continually by stopping to say who said what to whom, but allows you to look on the index pages to see where he got his information. The author is an asst. professor of European History and I would be interested in taking a class from him were I still in the college age group. Try the book, you'll not want to put it down until you see how it ends; well all except for the Yugo itself. But then again even that is in debate as the last chapter indicates it may still arise with a African nameplate in the future.

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Kamis, 03 Juli 2014

## Free PDF Celtic Prayers from Iona: The Heart of Celtic Spirituality, by J Philip Newell

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Celtic Prayers from Iona: The Heart of Celtic Spirituality, by J Philip Newell

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Celtic Prayers from Iona: The Heart of Celtic Spirituality, by J Philip Newell

J. Philip Newell and his wife Ali were cowardens of the lay religious community of Iona Abbey in the Western Isles of Scotland. There Philip developed this book as an aid to daily prayer. Here is a weekly cycle of morning and evening prayers in the Celtic tradition, with gospel and psalm readings taken from the liturgical year. Each "day" reflects a concern of the Iona Community: justice and peace, healing, the goodness of creation and care for the earth, commitment to Christ, communion of heaven and earth, and welcome and hospitality.

  • Sales Rank: #89868 in Books
  • Published on: 1997-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.86" h x .52" w x 5.78" l, .50 pounds
  • Binding: Hardcover
  • 93 pages

Review
A particularly lovely incarnation of the Celtic spirituality that so many of us have come to appreciate. -- Spiritual Book News

From the Back Cover
J. Philip Newell and his wife Ali were cowardens of the lay religious community of Iona Abbey in the Western Isles of Scotland. There Philip developed this book as an aid to daily prayer. Here is a weekly cycle of morning and evening prayers in the Celtic tradition, with gospel and psalm readings taken from the liturgical year. Each "day" reflects a concern of the Iona Community: justice and peace, healing, the goodness of creation and care for the earth, commitment to Christ, communion of heaven and earth, and welcome and hospitality.

Most helpful customer reviews

82 of 85 people found the following review helpful.
Handy daily morning and evening prayers, liturgical style
By A Customer
This is a beautiful prayer book of morning and evening personal liturgy based on Monday through Saturday. It includes a lectionary of psalms and readings for each day of the church year. A wonderful prayer book to use in your daily prayers. I'm giving one to each of the kids in my youth group who are going on pilgrimage to Iona. I highly recommend this book for anyone wishing to structure their prayer life.

27 of 27 people found the following review helpful.
Entering Into The Flow of Modern Monastic Celtic Life
By Pegathae
This book spoke to my Irish heart and a view of Christianity gifted to me by three great-aunts. I was surprised to find thst their earthy familiarity with the Divine had a name and a long tradition.

These daily prayers are based on the Celtic poem prayer, which rejoices in the Divine and Christ found reflected in all around us - from the lush countryside to that dandilion struggling to grow in the crack of the city pavement.

The result of scholarship and the collection of oral faith tradition, it's lilting poetry praises God through his creation.

It has become my morning and evening prayer ritual of reflection, scripture reading and prayer.

And you don't have to be Irish to appreciate its richness

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
as expected

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!! Ebook Download The Beats: A Graphic HistoryFrom Hill and Wang

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The Beats: A Graphic HistoryFrom Hill and Wang

In The Beats: A Graphic History, those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation. What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations—from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo’s disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago’s College of Complexes to San Francisco’s famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats’ most recognizable faces. What emerges is a brilliant collage of—and tribute to—a generation, in a form and style that is as original as its subject.

  • Sales Rank: #671643 in Books
  • Published on: 2009-03-17
  • Released on: 2009-03-17
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.32" h x .81" w x 6.36" l, .46 pounds
  • Binding: Hardcover
  • 208 pages

From Publishers Weekly
Well researched and earnest, this book might work best as a superficial Cliffs Notes on the beats, but in no way does it inspire or open the mind as the works of the authors covered do. Much of this volume feels like leftovers from coauthor Pekar's American Splendor, and one wonders if that magazine's "drab and normal" style of illustration is appropriate for the more adventurous/experimental/flamboyant beats. Nor does it help that the art used on the best-known authors (Kerouac, Ginsberg and Burroughs) feels rushed, with little detail and little variation. Because Joyce Brabner's script about "Beatnik Chicks" takes a genuinely critical eye to an aspect of the beats others prefer to ignore—their rampant sexism— it's probably the best and most passionate writing in the collection, with Jerome Neukirch's art for the bio of proto-beat Slim Brundage being the artistic standout illustrations. Lance Tooks, Peter Kuper and Nick Thorkelson also make strong contributions, while Jeffrey Lewis's story on poet/musician Tuli Kupferberg is a wonderful puzzle piece to work through; it's the most ambitious entry and may be the truest to the artistic vision of the beats themselves. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 10 Up–Buhle has brought together a heady group of writers and artists to create a well-informed, engaging, and dynamic presentation of the core precursors and descendants of the Beat ethos in both literary and popular American life. The first half of the volume, drawn by Piskor, interweaves the development, achievements, and interactions of Jack Kerouac, Allen Ginsberg, and, to a lesser degree, William S. Burroughs. Details such as Kerouac's left-handedness and Ginsberg's changing physique across his life span are shown, while snippets from their writings are suitably incorporated into the text, which is both discursive and critical. The remainder of the volume comprises 22 pieces, most by Pekar, exploring related figures, like Michael McClure and Lawrence Ferlinghetti; contemporaries whose personal circumstances varied enough from the core of Beats to demand artistic and life expressions that differed from the canonical Beat identity, including LeRoi Jones, Diane di Prima, and Kenneth Patchen; and related arts including visual and jazz. Joyce Brabner, Trina Robbins, Peter Kuper, and Lance Tooks are among the 17 contributors to the volume, which belongs in every library where any Beat literature has a home. This is a perfect gateway to both the art and the era for today's teens to access the Beat world.–Francisca Goldsmith, Halifax Public Libraries, Nova Scotia END

Review
“Editor Paul Buhle’s graphic history The Beats—with riffs from cats such as Harvey Pekar and Trina Robbins—burns like a Roman candle.” —Vanity Fair “The Beats is as fresh and pertinent as the latest scholarly history, only far more entertaining.” —Studs Terkel “A new angle on a familiar story . . . [The Beats] gives the hipsters back their body language. In a book that is largely about license and the enlightened rebel, it is easy to find reflections of both in the graphic form.” —John Leland, The New York Times Book Review “Well researched and . . . absorbing.” —Richard Pachter, The Miami Herald “Eye-catching . . . An illustrated look back at a very real part of American pop-culture history, when beat culture of the ’40s and ’50s—sandwiched between the improvisational nature of jazz and the recklessness of rock ’n’ roll—began to speak to a part of a generation at odds with mainstream society. One word sums it up: Cool.” —Cary Darling, Fort Worth Star-Telegram “The Beats: A Graphic History is everything a radical history should be: critical, admiring, quirky and apologetic . . . From cover to cover, The Beats is a wonderful history of a complicated and misunderstood cultural movement—its achievements, its place in history, its flaws and its brilliance. The graphic novel format is perfect for the subject—straddling the line between respectability and disreputableness just as the Beats themselves did.” —Cory Doctorow, BoingBoing “History with a deeper perspective . . . This fearless, substantial history entertains as it uncovers.” —Carlo Wolff, The Boston Globe “Combines nuts-and-bolts prose with outstanding art . . . The Beats manages to make the scene new again on the sheer strength of artistic play.” —Richard Gehr, Columbia Journalism Review “This lively graphic history spotlights the 1950s youth revolt that said no to conformity and opened the way to a new world of unfettered imagination.” —Franklin Rosemont, cofounder of the Chicago Surrealist Group “Capturing the flavor of that poetic era with style and wit, The Beats is a slice of countercultural history that’s enhanced by its unique visual format.” —Paul Krassner, author of One Hand Jerking: Reports from an Investigative Satirist “This graphic history has a grittiness and attention to difficult anecdote that brings a classic American romantic venture, with all its deviant sexual and economic ‘crazy wisdom,’ down to the gritty realism of pen-and-ink earth.” —Edward Sanders, author of America: A History in Verse “Turns hipster history into a digestible, fun read.” —Kathleen Pierce, Lowell Sun (Massachusetts) “At its best, which is quite good indeed, The Beats reflects the creative energy of the movement it chronicles.” —Peter Gutiérrez, Graphic Novel Reporter “The Beats stands as an ambitiously constructed, clever tribute.” —Matthew Schniper, Colorado Springs Independent “The Beats serves to introduce an American cultural phenomenon to a new audience while giving some of its less well-known players fresh exposure . . . The comics celebrate the individuals that made up the anti-establishment of the times and whose art and social action outlives them. The stories are drawn by an eclectic mix of cartoonists and told by characters—including Pekar—every bit as individualistic as their subjects.” —Cabbage Rabbit, Cabbage Rabbit Review of Books & Music “A well-informed, engaging, and dynamic presentation of the core precursors and descendants of the Beat ethos in both literary and popular American life . . . Belongs in every library where any Beat literature has a home. This is a perfect gateway to both the art and the era for today’s teens to access the Beat world.” —Francisca Goldsmith, School Library Journal  

Most helpful customer reviews

25 of 25 people found the following review helpful.
Can't Beat This
By J. Brennan
In The Beats, as in Students for a Democratic Society and Macedonia, Pekar is dealing with pivotal events that shaped his life and times on and off the streets of Cleveland. In this these works are essential companions to American Splendor. Readers are fortunate that a talent like Pekar is allowed a platform to explain why what happened to millions in his era happened. It would be hard to truly understand Pekar and the peers he generally speaks for, common folk, without some background on the context.

Pekar puts on the same glasses he uses to discern his own life to discern this group. His vision is intentionally stripped of fawning, platitudes, and the intellectual apologetics that often dominate accounts of the more famous beat characters. The fusion of music, literature, film, politics, and just enough, but not too much mass media, is what grabbed us and changed our lives. Pekar tells the story the way we heard the story, and saw parts of it, in the 50's, 60's, and 70's. Other than in often hard to find Beat writings, which tended to make big names like Kerouac seem a constant romantic wanderer, minimizing the sad, right-wing, drunken momma's boy, all we heard were bits and pieces about their lives. Certain books we were fortunate enough to find, like Lawrence Lipton's The Holy Barbarians, focused on Beat unknowns and presented a lifestyle that was alluring as well as repellent. (Though Ginsberg is inspiring at times, Burroughs makes me want to get a government job and go to church.) This tension made most of us, after brief flings in hippiedom, spend our lives as VA file clerks, teachers, social workers, nurses, small business coffee house and used bookstore owners. Pekar eloquently depicts this tension in simple panels, such as on page 20, with Kerouac's mom saying, "Welcome back!" on one of the many occasions when Jack returns broke to her door. Page 59 has him afraid to visit with Allen Ginsberg, who is hiding in the bushes because momma would be upset, as well as the stress, decadence and death that plagued these writer's lives. There is great power in reading about these events in Pekar's pithy prose and seeing them in the artist's panels. It all appears very intentional, without a wasted word or drawn line.

Pekar, as always, speaks more for the majority that didn't make it so big. This book really gets going on page 95 when Pekar and partners get into the lesser known, but perhaps even more essential, beat community. Pekar reminds us that with or without the three "giants" of beatdom there was a vibrant San Francisco scene that was flourishing long before a handful of screwed up guys hit town from New York. We get introduced to folk like d.a. levy from Cleveland, outstanding, and Slim Brundage from Chicago, fantastically portrayed by Jerome Neukirch. I had never heard of him before and just ordered a book of his writings from Amazon-thanks Jerome. Joyce Brabner does a great job on Beatnik Chicks. I enjoyed her feminist point of view on the "top guys" and only wish there was more from her perspective. Tuli Kupferberg helped write about himself, and that was great. These are just some of the folk that made this a real movement, who were into community organizing, the people, and not just out for themselves. Pekar and crew do here what was done in Pekar's Macedonia. They don't just focus on the train wrecks but on the folks and places that are doing things right, staying out of war and creating spaces for us to get involved with making the world a better place. The Beats: A Graphic History is an inspirational five star book.

0 of 0 people found the following review helpful.
I gave as a gift. My friend likes it ...
By Cheryl
I gave as a gift. My friend likes it.

5 of 5 people found the following review helpful.
Not a satisfying survey
By Christopher
Pekar's text is ok. Nothing stands out in memory, though, after reading. I can't say I'm any more knowledgeable about this generation than I was before reading (which is to say: not knowledgeable at all).

That paired with the completely uninspired drawings makes this a 'not recommended' work. Most frames have no information... just a character standing in the center, sometimes with a vague expression, sometimes with an arm raised, sometimes talking to another character. No background scene worth noticing. Completely dead, in comic terms.

I appreciate the effort though. Hopefully a future artist and editor will give this the revamp it deserves.

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Selasa, 01 Juli 2014

~ PDF Download Home Before Morning: Story of an Army Nurse in Vietnam, by Lynda Van Devanter, Christopher Morgan

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Home Before Morning: Story of an Army Nurse in Vietnam, by Lynda Van Devanter, Christopher Morgan

Lynda Van Devanter was the girl next door, the cheerleader who went to Catholic schools, enjoyed sports, and got along well with her four sisters and parents. After high school she attended nursing school and then did something that would shatter her secure world for the rest of her life: in 1969, she joined the army and was shipped to Vietnam. When she arrived in Vietnam her idealistic view of the war vanished quickly. She worked long and arduous hours in cramped, ill-equipped, understaffed operating rooms. She saw friends die. Witnessing a war close-up, operating on soldiers and civilians whose injuries were catastrophic, she found the very foundations of her thinking changing daily.

After one traumatic year, she came home, a Vietnam veteran. Coming home was nearly as devastating as the time she spent in Asia. Nothing was the same ― including Lynda herself. Viewed by many as a murderer instead of a healer, she felt isolated and angry. The anger turned to depression; like many other Vietnam veterans she suffered from delayed stress syndrome. Working in hospitals brought back chilling scenes of hopelessly wounded soldiers. A marriage ended in divorce. The war that was fought physically halfway around the world had become a personal, internal battle.

Home before Morning is the story of a woman whose courage, stamina, and personal history make this a compelling autobiography. It is also the saga of others who went to war to aid the wounded and came back wounded ― physically and emotionally ― themselves. And, it is the true story of one person's triumphs: her understanding of, and coming to terms with, her destiny.

  • Sales Rank: #6271368 in Books
  • Brand: Brand: Bt Bound
  • Published on: 1999-10
  • Original language: English
  • Number of items: 1
  • Binding: Library Binding
Features
  • Used Book in Good Condition

Review
"This incredible story, which plunges us immediately into the bloodiest aspects of the war, is also a suspenseful autobiography that will keep you chewing your fingernails to see if Van Devanter survives any of it at all. She proves herself a natural storyteller. . . . The most extraordinary part in this book is Van Devanter's plight after the war―her attempt to retrieve the love of her family, only to realize they don't want to see her slides, hear her stories; her assignment to menial duties at Walter Reed Army Hospital. . . . How Van Devanter survives all of this to become, incredibly, a stronger person for it is what makes her book so riveting."―San Francisco Chronicle

"An awesome, painfully honest look at war through a woman's eyes. Her letters home and startling images of life in a combat zone―surgeons fighting to save a Vietnamese baby wounded in utero, the ever-present stench of napalm-charred flesh, a beloved priest's gentle humor and appalling death, the casual heroism of her colleagues, a Vietnamese 'Papa-san' trying to talk his dead child back to life, a haunting snapshot dropped by a dying soldier with no face―tell the story of a young American's rude initiation to the best and the worst of humanity."―Washington Post

"Moving, powerful . . . a healing book."―Ms. Magazine

"This book reads like a diary: unguarded, heartfelt. . . . [It] is both moving and valuable, for reminding us so vividly that war is indeed hell . . . and that its most tested heroes are the doctors and nurses who doggedly labor not just to save life, but also to keep their respect for it, even as their surviving patients are sent out, once more, unto the breach."―Harper's Magazine

"In Vietnam, reality hit fast: Van Devanter's plane was fired on when it landed in Saigon; and after three days of adjustment, she was assigned to the 71st Evacuation Hospital, a 'MASH-type facility' near the Cambodian border. There, the casualties, . . . the personal danger, the fatigue, the heat, rain, and mud, the harassment of officers enforcing petty regulations, and above all the meaninglessness of American involvement rapidly put an end to Van Devanter's blind patriotism, her innocence, and her youth. . . . Van Devanter brings us face to face with the toll that undeclared war took on its combatants."―Kirkus Reviews

"If you read only one work about Vietnam, make this the one. . . . This is the way it was, as seen through the eyes of an army second lieutenant when she was twenty-two. I believe her completely, because this reviewer remembers Vietnam the same way, when he was a nineteen-year-old Marine PFC."―Deseret Sentinel

About the Author
Lynda Van Devanter served as the National Women's Director of the Vietnam Veterans of America. She counseled other Vietnam veterans and conducted seminars around the country. Coping with ill health since her tour of duty in Vietnam, she died in November 2002 at age fifty-five.

Most helpful customer reviews

5 of 6 people found the following review helpful.
Home Before Morning
By Susan M. Schmitt
I read this book for the first time many years ago now and it touched a cord in me simply at the time I was going thru something similar myself being discharged from the military and finding that you really have no place in the world. I never experienced anything like she did and how she overcame all her obstacles only attests to the strength of the person she became because of it. I believe she has passed on now due to exposure of agent organge while serving our country. I always try to make people see just what sacrifices that our fighting men and women go thru to keep us free that we never even hear about except very rarely in such books as this one. "They" don't want this kind of information coming out to let us know just what has really gone on. This continues to be one of my favorite books and I generally wind up reading it a few times a year. It's one book that will never be let go. It is well worth reading and I guarantee you it will make you think and be appreciative of the little things that we all take for granted.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
highly recommend

2 of 2 people found the following review helpful.
A Beautiful Story
By S. Ness
This is such a beautiful story; and one that needs to be told more often. It will give so much understanding to the generation born to those who came "of age" in the 1960's of what the VietNam war was all about. And, not many people knew anything about the role of the Army Nurse until now. This book is a must read!

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Minggu, 29 Juni 2014

!! Ebook The H. L. Hunley: The Secret Hope of the Confederacy, by Tom Chaffin

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The H. L. Hunley: The Secret Hope of the Confederacy, by Tom Chaffin

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The H. L. Hunley: The Secret Hope of the Confederacy, by Tom Chaffin

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The H. L. Hunley: The Secret Hope of the Confederacy, by Tom Chaffin

On the evening of February 17, 1864, the Confederacy's H. L. Hunley sank the Union's formidable sloop of war the USS Housatonic and became the first submarine in world history to sink an enemy ship. But after accomplishing such a feat, the Hunley and her crew of eight also vanished beneath the cold Atlantic waters off Charleston, South Carolina. For generations, the legend of the Hunley grew as searchers prowled the harbor, looking for remains. Even after the submarine was definitively located in 1995 and recovered five years later, those legends have continued to flourish. In a tour de force of document-sleuthing and insights gleaned from the excavation of this remarkable vessel, the distinguished Civil War–era historian Tom Chaffin presents the most thorough telling of the Hunley's story possible. Of panoramic breadth, this saga begins long before the submarine was even assembled and follows the tale into the boat's final hours and through its recovery in 2000. Engaging and groundbreaking, The H. L. Hunley provides the definitive account of a fabled craft.

  • Sales Rank: #549547 in Books
  • Published on: 2010-02-16
  • Released on: 2010-02-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.22" h x .98" w x 5.47" l, .75 pounds
  • Binding: Paperback
  • 352 pages

From Publishers Weekly
This lively account of the first submarine to sink an opposing ship is an excellent niche history. Chaffin (Sea of Gray) relates that H.L. Hunley was neither soldier nor engineer, but an adventurous New Orleans attorney turned exporter who wanted to make his fortune selling the submarine he developed with several partners to the Confederate Navy. After two unsuccessful tests, in 1863 a third submarine performed decently, but the unenthusiastic local commander extolled its virtues to General Beauregard, who agreed to commission a submarine. It was shipped to Charleston, S.C., where it sank twice during testing, drowning both crews— including Hunley himself. In February 1864, the submarine, named the H.L. Hunley, finally sank a Union blockader with its torpedo but never returned. The event assumed mythic status, culminating in great excitement when divers exhumed the wreck in 2000. Chaffin finishes with a lucid description of the impressive details of this splendid artifact of engineering. Sampling from letters, articles and memoirs, the author succeeds in separating facts from legend in this engrossing examination of a pioneering weapon of war. Maps. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“The boldest and most powerful book yet written on the saga of the H. L. Hunley. Each detail is sharply etched and dramatically told for a compelling read. The H. L. Hunley is a classic of Civil War history.” ―Clive Cussler

“Tom Chaffin's study is the most thorough treatment of the subject . . . [This] detailed and entertaining book about early naval submersibles will inform students, scholars, and general readers.” ―Joseph G. Dawson III, Journal of American History

“Combining a masterful command of his subject with a novelist's flair for weaving a good story, Chaffin takes readers on an intriguing journey centered on one of the landmark events in maritime history . . . The preeminent volume on the subject.” ―Mike Bunn, Alabama Review

“Chaffin's skillful integration of historic documentation and the archaeological materials illuminates how vital both sources are in gaining a clearer understanding of the past . . . An authoritative text on the vessel.” ―Michael Christopher Tuttle, Journal of Military History

“Dramatic, well-written and filled--perhaps overfilled--with fascinating information, Chaffin's chronicle of the H. L. Hunley belongs on the bookshelf of every military history aficionado.” ―Chris Patsilelis, St. Petersburg Times

“The H. L. Hunley is a revelation.” ―William McKeen, Creative Loafing

“The H. L. Hunley is not only the most up-to-date book about the unusual craft, it is also the most readable and accessible. If there is a Civil War or local history buff on your Christmas list this year, you could hardly do better than to present them with a copy of this book.” ―John Sledge, Mobile Press-Register (Alabama)

“The volume can stand as the best available to date.” ―William H. White, Sea History

“Detailed and fascinating . . . Tom Chaffin has produced what may be considered the most exhaustive and accurate account of the submarine and the men who built her in his new book The H. L. Hunley: The Secret Hope of the Confederacy. Given the iron-fisted control the Confederacy exerted over the media to preserve its military secrets and a dearth of official or personal correspondence on the matter, Chaffin faced a daunting task in piecing together his history, but his hard work pays off here in a rich and lively book about visionaries, mercenaries and a technological marvel.” ―John G. Nettles, Flagpole (Athens, GA)

“[A] brisk retelling . . . Civil War historian Chaffin reconstructs the mythic, short journey of the first submarine in world history to sink an enemy ship.” ―Teresa Weaver, Atlanta (A Best of the Georgia Shelf pick)

“A smoothly narrated and comprehensive story of a lost ship in a lost cause.” ―Rob Hardy, U.S. Naval Academy Alumni Association & Foundation

“The H. L. Hunley: The Secret Hope of the Confederacy is narrative history at its most readable and remarkable.” ―Leonard Gill, Memphis Flyer

“[A] grand and sweeping story of the Hunley's origins and the creative, brave men behind it.” ―Mike Walker, North Florida News Daily

“A captivating history of the Civil War-era Confederate submarine.” ―Myles Hutto and John Stoehr, Charleston City Paper

“Tom Chaffin tells the story of the Hunley's design and construction, the fateful battle and loss of both [the Hunley and the USS Housatonic], and the discovery and raising of the submarine in The H. L. Hunley, composing a narrative that crackles with excitement and suspense.” ―Fredric Koeppel, The Commercial Appeal (Memphis, TN)

“A first-class recounting of the Hunley, from its roots in New Orleans to the first--and failed--submarine at Mobile, Ala., to two founderings during trials and training at Charleston and finally to the submarine itself.” ―Jules Wagman, Milwaukee Journal Sentinel

“Avoiding uninformed speculation, Chaffin crafts an exciting narrative of an important innovation in military technology and the political considerations that shaped its development. Insightful and intriguing, meriting a place toward the front of the squadron of Civil War, naval and aquatic archeology titles.” ―Kirkus Reviews (starred review)

“Sampling from letters, articles and memoirs, the author succeeds in separating facts from legend in this engrossing examination of a pioneering weapon of war.” ―Publishers Weekly

“A definitive reading of the submarine's forensic evidence.” ―Garden & Gun magazine

“This outstanding piece of scholarship and clear writing will answer most questions and lay to rest most legends about the famous Confederate submarine, the first of its kind to sink an enemy warship . . . The research that went into this book was also exhaustive (it is also unbiased), but it doesn't make the book exhausting. Altogether, "the secret hope of the Confederacy" is now a good deal less secret, and Civil War collections can fill many gaps with a single purchase.” ―Roland Green, Booklist

“Fueled by obsessive scholarship and a boyish sense of wonder, Tom Chaffin takes us deep down into uncharted fathoms of the Civil War--and then surfaces with a finny, fascinating tale that's equal parts Shelby Foote and Jules Verne.” ―Hampton Sides, author of Blood and Thunder

“There is no more compelling human or high-tech story in the annals of the Civil War than the saga of the remarkable H. L. Hunley and its brave, ill-fated crew. Drawing on a vast archive of original sources and an abundance of interpretive skill, Tom Chaffin has crafted an informed, dramatic page-turner. This is authoritative military history that reads like a novel.” ―Harold Holzer, cochairman of the USS Abraham Lincoln Bicentennial Commission and coauthor of The Confederate Image

“Chronicling this multifaceted story of the Confederacy's secret hope, Tom Chaffin has answered many of the mysteries surrounding the H. L. Hunley. With an extensive examination of primary documents, he has taken on the mythologizers, offering instead an extraordinary contribution to historical understanding.” ―Orville Vernon Burton, author of The Age of Lincoln

“The author provides a complete history of the Hunley as well as biographical sketches of the individuals involved in its financing, design, construction, and operation . . . Utilizing a variety of published and unpublished source materials, as well as interviews with the Lasch Conservation Center archaeologists tasked with the vessel's excavation and preservation, Chaffin also dispassionately examines the many myths and mysteries surrounding the Hunley. The relative viability of competing theories, among them inquiries into the mythical ‘blue light,' the location of the wreck, how the submarine was lost, etc., is addressed, often raising more questions than answers. With well-supported conclusions and appealing writing, The H. L. Hunley will serve as a fine introductory book for the interested general reader, as well as a handy resource for the more dedicated students of the Civil War navies.” ―Andrew Wagenhoffer, Civil War Books and Authors

“An excellently written and well-documented account of a piece of Civil War history . . . Of the numerous [Hunley] books to appear in recent years, Tom Chaffin's The H. L. Hunley: The Secret Hope of the Confederacy emerges as the best.” ―Steven Ramold, Civil War Book Review

“A well-written and interesting volume.” ―Kenneth D. Williams, Civil War News

“A satisfying read for Civil War buffs or naval buffs, for those who know much, or nothing, about the epic tale of the H. L. Hunley.” ―The Valdosta Daily Times

About the Author
Tom Chaffin's other books include Giant's Causeway: Frederick Douglass's Irish Odyssey and the Making of an American Visionary, Sea of Gray: The Around-the-World Odyssey of the Confederate Raider Shenandoah and Pathfinder: John Charles Frémont and the Course of American Empire. His writings have also appeared in the New York Times, the Oxford American, Time, Harper's, and other publications. He lives in Atlanta.

Most helpful customer reviews

16 of 17 people found the following review helpful.
Something New in Civil War Studies
By Brian Laslie
Even though hundreds of books are published on the Civil War every year, it is rare that something truly new and original comes along. "The H.L. Hunley" by Tom Chaffin provides exactly that. Even though the story of the Hunley is well known to Civil War buffs and professional historians this is the first book to cover in depth the submarine boats creation, mission, destruction and recovery. It also offers insight into the development of submarine warfare as an accepted practice of war making.

Too often in the study of history one will come across a well-researched book devoid of a good narrative or, in return, a great story with little to no actual research. Chaffin deftly combines both and creates that rarest of Civil War books, a well-researched book that is also well written and will appeal to a broad audience of both layman and academics. There is something for everyone in this fine work. Combining history, myth and memory, as well as recent archeological work, Chaffin's book will be the starting point for study of the doomed ship.

It is a must-read for Civil War historians' ands adds invaluably to our knowledge of the defense of Charleston in the waning period of the war. This book will also please students and readers interested in maritime history and the study of unconventional warfare.

14 of 15 people found the following review helpful.
Best Hunley book ever
By Jim Peyton
In biblical scholarship we speak of the search for the historical Jesus. We humans tend to create legends and myths around important people, places and events. Someone must have the keen scholarship, the healthy skepticism, and the painstaking research to carefully separate fact from fiction, legend from history. Dr. Tom Chaffin has marvelously demonstrated this ability in his new book on the Hunley. I feel indebted to Dr. Chaffin in helping me better understand Horace Hunley from a psychological perspective. This is very important to me as a blood relative of Horace. I am fascinated not only by the submarine but also by the man for whom the submarine is named. Not since the Ruth Duncan book, "The Captain and Submarine CSS H L Hunley" printed in 1965, has any author devoted as much research on Horace Hunley himself, including his sister Volumnia Hunley Barrow and her wealthy husband, Robert Ruffin Barrow. Their intimate connections with Horace Hunley are often overlooked in how they shaped him as a man. Dr. Chaffin's breadth of scholarship is applied like a sharp scalpel to every detail of the Hunley story, separating cherished myths from the raw facts. He does this not only with Horace Hunley, but also with George Dixon and Queenie Bennett, along with the story of the blue light said to have been seen from the shore. Having shared Hunley genealogy with Dr. Chaffin from my old Hunley family bible, I am grateful for the opportunity to get to know this historian on a personal level. I have deep respect for his intellect and self-discipline in overcoming a severe struggle with his health as he researched and wrote. As a Sherlock Holmes scrutinizing every detail of an investigation, Dr. Chaffin used a vast variety of resources in writing this fine book. I especially enjoyed the primary sources he consulted and the carefully documented footnotes for any reader who wants to pursue an item of interest even further. I have no doubt that this book will be the authoritative guide and the definitive work for many years on Horace Hunley and the submarine that changed naval history.

11 of 13 people found the following review helpful.
The Confederacy's Doomed Submarine
By Rob Hardy
The past few decades have seen an unprecedented flourishing of exploration and retrieval of sunken vessels and their cargo. There are richer wrecks than that of the _H. L. Hunley_, but few of such technological and historical interest. The _Hunley_ was a submarine serving the Confederate forces in the Civil War, and it was the first submarine to sink an enemy ship. It didn't last long thereafter, and it wasn't until World War I that submarines became practical machines of war, but the _Hunley_ was an important step in submarine evolution. After it was raised in 2000, it was available for examination by engineers and historians, and has begun to divulge some of its secrets. In _The H. L. Hunley: The Secret Hope of the Confederacy_ (Hill and Wang), historian Tom Chaffin has told about the raising of the vessel and its recent evaluation by experts, but has given a full history of its development, its creators, and its activity during the Civil War. Chaffin also wrote _Sea of Gray_, an exciting history of the Confederate raider Shenandoah, and has again presented a smoothly narrated and comprehensive story of a lost ship in a lost cause. This time, however, the ship represented the best inventiveness and high-tech accomplishment of its age, and Chaffin has placed the ship, its inventors, and the doomed men who sailed on it within a military, technological, and historical context.

There were submarines before; Leonardo da Vinci himself said he had designed one, but uncharacteristically did not show anyone else the design, he said, "because of the evil nature of men who would practice assassinations at the bottom of the sea..." Chaffin reviews the history of submarines, with the _Hunley_ being far more advanced than any that had gone before. Horace Lawson Hunley was a lawyer and customs officer in New Orleans, and met with his friends inventor James McClintock and Baxter Watson who both owned a machine shop; they conceived the idea of a submarine boat. Their third prototype, created in Mobile, Alabama, was shipped to Charleston in 1863. It was forty feet long, designed for a crew of eight, one commander and seven men to turn the zigzag crankshaft that operated the propeller; there were also hand pumps for shifting ballast. At Charleston, the _Hunley_ sank twice, drowning the two crews, the second commanded by Hunley himself. It may be an illustration of the desperation of the Confederates that the _Hunley_ was re-floated for a third attempt, and crewmen were found to man it. On the night of 17 - 18 February 1864, it was deployed with a mine on a spar, and sank the USS _Housatonic_. Something subsequently went wrong with the _Hunley_, as it sank with all hands. There is evidence that the submarine did not go down in the blast that she gave the _Housatonic_, and there are confused stories of lantern signals and countersignals possibly given by the _Hunley_ after the attack. Of course, the cause of the sinking is one of the interests of researchers who are examining the raised vessel, as are different questions about its manufacture and technical capacity. Of more human interest is that the remains of the third crew were given a stately funeral through the streets of Charleston in 2004. Horse-drawn caissons and Civil War reenactors participated in the procession, which ended in Magnolia Cemetery, the burial place for the men of the first and second crews as well.

The historic sinking of a ship by a submarine did not affect the war's outcome, but _Hunley_ has an important place in the history of how submarines became standard weapons. When the Germans employed submarines in World War I, they used vessels and weapons far beyond anything Horace Hunley and his fellow entrepreneurs could have thought possible. Chaffin explains that the Germans, like the Confederates, practiced commerce raiding, destroying civilian vessels as well as military, bringing to the seas the sort of total war doctrinally propounded by Union general William Tecumseh Sherman. Now, of course, we have submarines ready to deliver enormous destruction, and we take for granted that they are out there ready to do far more than the assassinations Leonardo fretted about. There isn't any way to read about advancements in warfare without some regret, but Chaffin's final chapters, about the curiosity of those who have brought the ship back and are devoted to answering the many mysteries of its creation and operation, contain plenty of optimism and admiration for simple human curiosity, as well as demonstrating once again how strong a hold the Civil War has on the imaginations of those who make it their chief historical interest.

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Kamis, 26 Juni 2014

# Free Ebook The Far Side Gallery, by Gary Larson

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The Far Side Gallery, by Gary Larson

The Far Side Gallery, by Gary Larson



The Far Side Gallery, by Gary Larson

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The Far Side Gallery, by Gary Larson

The Far Side® and the Larson® signature are registered trademarks of FarWorks, Inc.

  • Sales Rank: #7964720 in Books
  • Published on: 1999-10
  • Original language: English
  • Dimensions: 11.00" h x 8.50" w x .75" l,
  • Binding: Library Binding

Review
“Explain him? No. Explicate him? No. Enjoy him? Yes, God, yes … Just don’t o.d. You could die laughing.” (Stephen King)

“Cartoonist Gary Larson carries the macabre to hilarious lengths.” (The Wall Street Journal)

“A magnificent contribution to popular culture.” (The Washington Post)

“Samuel Taylor Coleridge, in between opium binges, once distinguished poetry from prose by noting that the former comprises ‘the best words in theirbest order.’ Gary Larson’s achievement in The Far Side® is to have pulled off much the same thing in a humbler medium: the best joke told with the best image … there is no excuse not to have some Larson in your life.” (The Daily Beast)

“Larson communicates a great deal of information in a few simple ink lines. The expressions of his characters are vivid and immediately recognizable … And with just a strand of beads and a pair of harlequin glasses, he can somehow transfer any animal—a shark, a bug, a warthog—into a dowdy suburban hausfrau.” (The Los Angeles Times)

“In an age when black humor is a lost art, Larson’s cartoon is an island of insanity, offering us theperspective of a world where the unreal is normal and vice versa. Its message deep down is a dark one — something about taking ourselves too seriously and strutting around as if we own the place.” (Rolling Stone)

“Bless Gary Larson for his wonderful consistency in casting an artful eye on all of Earth’s wild critters, human or otherwise.” (The Philadelphia Inquirer)

“The unofficial cartoonist laureate of the scientific community.” (Natural History Magazine)

“The natural order of things goes seriously awry, with hilarious results.” (Smithsonian)

“A quirky, brilliant series of cartons that most often feature a variety of insects and animals embroiled in some warped situation comedy.” (Toronto Globe and Mail)

About the Author
The Far Side was syndicated in more than 1,900 daily newspapers from 1980 to 1995, when Gary Larson retired. During its run, the cartoon spawned 22 books from AMP, which were translated into a total of 17 different languages. For his work with The Far Side, Larson was awarded the Reuben Award for Outstanding Cartoonist from the National Cartoonists Society in 1991 and 1994. The group also named The Far Side Best Syndicated Panel in both 1985 and 1987.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Off-the-Wall Comedy At Its Best
By Not-a-RINO
My son is in the USAF and as you can imagine, it can be stressful, challenging and sometimes boring. He has always loved the comedy of "The Farside" and as a token of how proud I am of him, I set him this book and a few others. These books have not disappointed him at all!

If you have someone that looks at the world through a pair of x-ray glasses purchased from the back of a magazine and always has something to laugh at, I would recommend any of Gary Larson's "The Farside" books as a gift. If laughter is indeed the best medicine, then these books could cure anything.

0 of 0 people found the following review helpful.
Funny and Witty
By michael henderson
Gary Larson's Humor on Display, for those who see things a little differently .

0 of 0 people found the following review helpful.
ha ha ha
By susanmeyers
in times like these i need to laugh, this is a belly buster

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Compilations & Reviews (w/CD-ROM) 2008-2009, by J. Russell Madray

Compilations & Reviews provides practitioners with a fundamental, real-world approach for conducting the highest quality compilations and reviews. It reduces the technical language of official pronouncements to easy-to-read, easy-to-understand advice and procedures and is designed to help the CPA enhance the quality of his or her practice. The book includes an overview and identification of the professional responsibilities that arise when a CPA accepts a compilation or review engagement, discusses and illustrates the procedures that need to be performed, describes the preparation of the CPA's engagement report, discusses management-use-only compilations, and addresses special engagements such as OCBOA-based financial statements and partnership financial statements. This comprehensive resource also deals with topics ranging from attestation standards for review engagements that do not involve financial statements to financial forecasts and projections. Compilations & Reviews contains an Appendix that assists CPAs in determining what procedures should be performed and/or what approach should be used in order to perform an efficient compilation or review engagement. Throughout, the guide features numerous practice aids, such as checklists, questionnaires, workpapers, sample correspondence, and sample reports that take the auditor through an engagement from the initial evaluation of a client to the issuance of the auditor's report. It comes with a free companion CD-ROM that contains many of the practice aids contained in the book, and more. The files on the CD-ROM can be used as templates and edited to suit the practitioner's needs. It also includes a cross-reference to the original pronouncements and a detailed topical index. The 2008-2009 Edition incorporates the guidance from SQCS-7 and includes discussions of SSARS-15, SSARS-16, and SSARS-17. The 2008-2009 Edition also expands the discussion of independence issues related to compilations and reviews and provides additional examples for management representations to be obtained in a review engagement.

  • Sales Rank: #5922147 in Books
  • Published on: 2008-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Paperback
  • 1100 pages

About the Author
J. Russell Madray is president of The Madray Group, Inc., which specializes in knowledge transfer. Through a combination of technical writing, training, and targeted consulting, The Madray Group helps businesses, accounting firms, and other organizations understand and implement technical accounting and auditing issues. Mr. Madray has more than 20 years of professional experience, including ten years in public practice. He also serves as a senior lecturer at Clemson University's School of Accountancy and Legal Studies. He is the author of numerous publications and articles on accounting and auditing topics, including many of the AICPA's Audit Risk Alert series. In addition, he speaks to hundreds of groups each year on accounting and auditing topics and has made presentations in more than 40 states. Mr. Madray is a certified public accountant, a certified internal auditor, a certified management accountant, and a certified financial manager. He is a past member of the AICPA's Accounting and Review Services Committee and a current member of the Board of Directors of the South Carolina Association of CPAs. Mr. Madray earned a B.S. in Accounting from Clemson University in 1986 and a Master of Professional Accountancy from Clemson University in 1988.

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